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| Book: Paperback | 129 x 198mm | 288 pages | ISBN 9780140293456 | 26 Oct 2000 | Penguin |
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Will is thirty-six but he acts like a teenager. Single, child free and still feeling cool, he reads the right magazines, goes to the right clubs and knows which trainers to wear. He's also discovered a great way to score with women: at single parents' groups, full of available (and grateful) mothers, all waiting for Mr NiceGuy. That's where he meets Marcus, the oldest twelve-year-old in the world. Marcus is a bit strange: he listens to Joni Mitchell and Mozart, he looks after his Mum and he's never even owned a pair of trainers. Perhaps if Will can teach Marcus how to be a kid, Marcus can help Will grow up and they can both start to act their age.
Penguin.co.uk: Is About a Boy a book about having to grow up too early - not being a real child and never experiencing childlike things?
NH: I think it's about learning to experience childlike things in exactly the same way as everybody else in order to survive. All the things that make Marcus unique and such a weird kid are the very same things that are damaging him. So it's more about learning to be the same as everybody else in a slightly depressing way, I think.
P: Do you feel that About a Boy is darker than High Fidelity with its suicide attempts and broken marriages, and screwed up children and so on?
NH: I was conscious of wanting to be a bit darker when I wrote About a Boy. I think the process generally is to try and get darker and funnier as much as I possibly can, and I think How to be Good is a step on in that way, as well.
P: I suppose all your novels have slightly ambiguous endings don't they, particularly About a Boy?
NH: I think the resolution in About a Boy is not so much ambiguous as double-edged. Clearly Marcus is going to be alright, but in the process of being alright he has completely lost any sense of himself and we lose sense of the child that there was throughout the book. I think that that's quite sad and quite a sacrifice.
P: How do you feel about Hugh Grant playing Will in the forthcoming film of About a Boy?
NH: Good. He's wanted to do the part for a long time, which I think is a good sign, and his post-Bridget Jones incarnation as a baddy will serve him well.
Hugely entertaining.... About a Boy is laughter in the dark.'
The Times
'A touching tale that deserves to make every adult laugh out loud'
Mail on Sunday
'It takes a writer with real talent to make this work, and Hornby has it - in buckets'
Literary Review
' a stunner of a novel... Utterly read-in-one-day, forget-where-you-are-on-the-tube gripping'
Marie Claire
'Such a good read'
Daily Telegraph
'Mushroom omelette and fries, please. And a Coke,' said Marcus.
'I'll have the swordfish steak,' said Will. 'No vegetables, just a side salad.'
Fiona was having difficulty deciding.
'Why don't you have the swordfish steak?' said Marcus.
'Ummm...'
He tried to get his mother's attention across the table without Will noticing. He nodded hard, once, and then he coughed.
'Are you all right, sweetie?'
He just felt it would help if his mum ordered the same food as Will. He didn't know why. It wasn't like you could talk for ages about swordfish steak or anything, but maybe it would show them that they had something in common, that sometimes they thought the same way about things. Even if they didn't.
'We're vegetarian,' said Marcus. 'But we eat fish.'
'So we're not really vegetarian.'
'We don't eat fish very often though. Fish and chips sometimes. We never cook fish at home, do we?'
'Not often, no.'
'Never.'
'Oh, don't show me up.'
He didn't know how saying she never cooked fish was showing her up - did men like women who cooked fish? Why? - but that was the last thing he wanted to do.
'All right,' he said. 'Not never. Sometimes.'
'Shall I come back in a couple of minutes?' said the waiter.
Marcus had forgotten he was still there.
'Ummm....'
'Have the swordfish,' said Marcus.
'I'll have the penne pesto,' said his mother. 'With a mixed salad.'
Will ordered a beer, and his mum ordered a glass of white wine. Nobody said anything again.
Marcus didn't have a girlfriend, nor had he ever come close to having one, unless you counted Holly Garrett, which he didn't. But he knew this: if a girl and a boy met, and they didn't have a boyfriend or a girlfriend, and they both looked all right, and they didn't mind each other, then they might as well go out together. What was the point in not? Will didn't have a girlfriend, unless you counted Suzie, which he didn't, and his mum didn't have a boyfriend, so...It would be good for all of them. The more he thought about it, the more obvious it seemed.
It wasn't that he needed someone to replace his dad. He'd talked about that with his mum ages ago. They'd been watching a programme on TV about the family, and some silly fat Tory woman said that everyone should have a mother and a father, and his mum got angry and later depressed. Then, before the hospital thing, he'd thought the Tory woman was stupid, and he'd told his mum as much, but at the time he hadn't worked out that two was a dangerous number. Now he had worked that out, he wasn't sure it made much difference to what he thought about the fat Tory woman's idea; he didn't care whether the family he wanted were all men, or all women, or all children. He simply wanted people.
'Don't just sit there,' he said suddenly.
Will and his mother looked at him.
'You heard me. Don't just sit there. Talk to each other.'
'I'm sure we will in a moment,' said his mother.
'Lunch will be over before you two've thought of anything to say,' Marcus grumbled.
'What do you want us to talk about?' Will asked.
' Anything. Politics. Films. Murders. I don't care.'
'I'm not sure that's how conversation happens,' said his mother.
ALA Notable Book
I.M.P.A.C. Dublin Award: Finalist
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